"Ariadne's spool", monotype chine-collé, on Rives BFK


  1. Of the three it seems I am more drawn to this one because of its seemingly unstructured, though balance composition that is so freely moving about in its confined space.

    I had an earlier look at it today and the the feelings first felt upon seeing it are still the same ten hours later.

    I was wondering if you would consider contemplating writing an article with photographs as to the creation and process of your next piece to have a better understanding of any technical issues and learn how it all comes about. Please note that this is only an idea and there is no rush to be doing this, just something to contemplate.

    Warmest regards


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